Friday, August 28, 2009


Phantom Motorists: How do we make urban legend and ghost stories? While reading a wonderful book I found in the trash called Weird US, I came a across a section on haunted roadways. Strange headlights are seen in the distance, phantom hitchhikers beckon from the side of the road, and sometimes even jump in your car unexpected.  Sometimes these roads are just in isolated areas which gives them that spooky qualitiy. But usually there is a common ingredient to creating a haunted place... a violent act usually occured somewhere nearby and enough people talked about it to create a mythical version of the events. What if Clandestine Garden could become such a place... a highly concentrated series of people coming and experiencing a place of violence in an isolated wooded parkland of NYC. Could art and enough people create a haunted place that becomes well known afterwards?

Monday, August 24, 2009


I will also particpate in a group show at the Arts Guild of Rahway NJ...
Four peices were selected.. when the shows opening will be don't know just yet.
Show is called Tectonic and is curated by Evonne Davis of Aferro Gallery fame.
Here is one of the images for the show.




I will be presenting at Conflux Festival 2009 !!! Clandestine Gardens looks like it will happen...
Needless to say I am very happy.. I will be putting together a portal all things Clandestine Gardens in the next few days... and thanks Glowlab for letting me participate. More images from the site.

Friday, August 14, 2009



Clandestine Gardens: 
I applied today for Conflux 2009.. some of the writing they suggested you read on psychogeography was very inspirational and would like to learn more about the Situationists.
But here are some quotes I took: 
"The erotic charge of psychogeography was undeniable, the rousing sexual conquest of having fully explored and overcome the exoticism of the city – this was accentuated by a famous piece of situationist graffiti, "I came in the cobblestones." The SI promised, "We will play upon topophobia and create a topophilia." 

Here is my proposal and a bunch of stream of concious notes I took for the project:

Clandestine Garden will be located in Fort Washington Park at the site of a fatal car crash near the Henry Hudson Parkway. Using this debris left behind, relocated plants and other items I will create a feral garden installation suggesting violence and beauty of the space, a pilgrimage site. A platform from branches will allow visitors to spend time here. Solar lights will be set up for visiting at night. A journey must be made through the thick wooded area to gain access to the temple. Fear is overcome. The lure of the space fills the visitor and they react accordingly. Whatever inspiration comes to mind…Pray, meditate, plant flowers, paint, have sex, have a picnic, write a poem, whatever comes to mind and to document their experience through photos, video or writing which they will be encouraged to share online.  A website with a link to Twitter, Facebook and email will be set up to document each visitors experience, turning topophobia into topophila.

and some further thoughts:

In areas such as heavily rustic and overgrown parkland, which is further isolated by the abrupt cut of a highway and a tangle of cloverleaf overpasses a sense of forboding and phobia is to be expected…

Areas so isolated that the debris of fatal car crashes are left behind, as if the quick pace of disentigration will take back our man-made objects that much sooner in such a remote area..

Sites of extreme violence have always been places where people have visited. A sort of distopic tourist destination.. they hold a powerful emotional reaction… a room becomes imbued with ghosts, the imagination of what had happened there takes hold. Gettysburg, Aushcwistz, Ground Zero are now all major tourist attractions. Platforms are erected, displays of that violence are shown.

The sites of fatal car crashes are similar in feel, but become more personal in nature. Fake flowers, teddy bears, large ribbons, crudely made crosses and sign posts indicate dates and names of the victims. 

 The insanity and disbelief of such thick and overwhelming nature… let loose and uncontrolled in the largest city in America.

But we are in Manhattan… the screech of cars is terribly close.. like the rush of fast flowing river, but mechanical and not as soothing…

These wooded places are places of crime, violence, and sexual tension.. a location for a prostitute to take her john, a gay meetup place, or a perfect location for predatory rapist. It holds some privacy, but also holds the sexual tension of being “caught” in public, the added danger of being seen and exhibitionism. There is also the air, the trees, the brambles, the thorms, the dirt, the rock edges, the discomfort, that harkens back to a more primitive experience of our sexuality… something only remembered on the cellular level till we re-enter these spaces and feel the lure of freedom

Hester Pryne lets down her hair and loosens her bodice as she enters the woods… 


Wednesday, August 05, 2009

My first official review of my artwork... by a freshman Seton Hall college student... you have to start somewhere I guess.
This was for my peice in the Lilliput show "Microscopic Love". 
"Microscopic Love: In the beginning it is seen from afar and then when it's the beginning of the relationship you have to spend time to dissect and break apart to see what is inside. Then it is broken apart unitl able to see the person from the inside. The love is a symbol of a wall and it is broken down in the relationship and that is when everything is seen and you open up and are free and also express yourself freely. Everything is more relaxed, clear and then you are able to form the relationship, which is shown by the heart at the end of the video. The person who is receiving the love sucks up all your love and that is what they feel when they say that person "loves me".

I don't know if this my full intention with the peice but I kinda like it. It has a nice young optimistic spin on love, not quite my jaded idea of relationships between lovers... but I like this spin on it....
Here is the end piece of the video shown on a small Ipod screen. It is a drop of blood suspended in seminal fluid and then a heart drawn in blood on a peice of glass then semen is added to dissolve the heart. 



Sunday, August 02, 2009

Rather silly to write about a show you just in instead of when it begins... but Seton Hall Walsh Gallery just ended it's Lilliput show as of July 27th. Here is a small excerpt concerning my piece...
"Lilliput: Tiny Art for Big People" features works by 47 artists from far-flung locations including South Orange, Michigan, Brazil and Abu Dhabi. There were no specifications directing artists as to theme, but they were instructed to submit pieces no larger than 1.5 inches in any direction."
"Among the entries was a series of six toothpicks whittled into forms including a lumberjack, giraffe and hummingbird by Michael Drummond; a series of doctored stamps including one with the face of Bernie Madoff and the inscription "Commemorating greed" by Michael Thompson; a video installation with a microscopic view of blood and semen with the recording of a heart beat from an EKG by Michelle Levante; and a two-part installation in which video taken from one pedestal is beamed onto a tiny TV set in front of a miniature chair in another part of the room by Boris Petropavlovsky and Anna-Alisa Belous." Cotton Delo, South Orange Patch.